Audio piece created for Słuchokrąg — around the art of listening (Gdańsk City of Literature UNESCO / Audionomia, Oct 2024), in collaboration with Jacek Prościński, an outstanding Polish drummer. It takes as its source Tadeusz Peiper’s Radiofon (1922): I built the narration exclusively by sampling the original text—without adding a single word, extracting meanings unexpectedly current a century later, resonating with mobile telecommunication, smartphones, and contemporary attention.

An essay on the photography of Anna Hauser, published in the monthly Odra.

Six tracks, cohesive in energy and sound: tribal drums, trance-like bass marches, and rusted guitars, shifting fluidly between psychedelic space, stoner grit, metal riffs, shoegaze walls of sound, echoes of math and post-rock, and brief flashes of jazz.

A long-form essay on how modern interfaces and algorithms—from slot machines to social platforms—engineer attention, reduce uncertainty through patterning, and gradually shift agency from individuals to systems, with clear consequences for autonomy and democracy.

An essay that proposes a more visceral language for climate disruption—shifting the framing from “degrees of warming” to the idea of an accumulating energy surplus inside Earth’s system, and tracing how that surplus cascades into intensified, destabilizing dynamics.

A poetic broadside published in Topos magazine’s Poetry Poster series, presenting new poems. The selection is dominated by thirteen-syllable sonnets, using a classical form to register a contemporary, recalibrated rhythm of speech and time.

A seven-part, site-specific recording project initiated by Karol Schwarz and realized with Tricity musicians connected to Nasiono Records: seven “phases” released as seven separate discs, each conceived as a distinct sonic environment. Typically structured as tuning (a calm, contemplative opening) and trip (a louder, more kinetic passage), the phases can be heard as a complete cycle or treated as modular source material for reuse and recomposition.

A long-form essay tracing how the demoscene emerged from the 8-bit underground—piracy, swapping, parties—and evolved into a rigorous, real-time art form where algorithms became rhythm, design became narrative, and hardware limits became a cultural arena; a story of craft, status, friendship, and the moment the internet and the PC’s open architecture dissolved the conditions that made that world possible.

The band’s final album: a set of songs shaped by return and retrospection—written from the vantage point of early adulthood, when childhood has finally receded far enough to be seen clearly, with distance, as a different life belonging to someone you used to be.

A manifesto-essay written during the anti-ACTA moment, articulating the worldview of a generation that grew up with the internet as an integral layer of reality. Released online under an open license and rapidly reposted across platforms, it was translated internationally and reached a readership in the millions.

An archival live recording of the European Poet of Freedom Award gala. Nasiono All Stars—a one-off ensemble formed around the Nasiono Records circle—sets poems by the award’s shortlisted poets to music, moving fluidly across rock, dub and experimental textures.

A concept album released as a hand-crafted “criminal case file” folder and expanded into an interactive online installation: a phone number led callers to a website featuring an interactive video experience. Framed as the soundtrack to a non-existent film, it poetically reconstructs a noir-like story that begins with a woman’s body found at dawn on the seashore.

A press reportage on video game addiction and its real-life fallout, shortlisted as a finalist for the Grand Press award (Press Reportage category, 2007).

A deliberately melancholic set of poetic songs—part self-pastiche, part confession—that gained a strong following in Poland’s underground and, half-jokingly, was seen as pushing a certain lyric-song convention to (and perhaps beyond) its practical limits.

A fictionalized reportage-novella set in Poland in the days following Pope John Paul II’s death. Through a narrator arriving in Kraków on a literary residency, it traces a few intense days spent navigating the country’s collective grief, confusion, and emotional upheaval.

Debut poetry collection published by Ha!Art.