b. 1981. Polish writer, musician, and visual artist working across literature, improvised noise rock, photography, and video. Demoscene background; Computer Science graduate; experienced developer and UX practitioner. His projects span textual, audiovisual, and computational media, including interactive and generative works informed by data. Core interests: the individual confronted with time, society, and technology.

since 2021


Professor A.I., D.Litt.

Professor A.I., D.Litt.

A live, on-stage AI interviewer built to conduct a public conversation with poet Tadeusz Dąbrowski about In Metaphor, listening to his spoken answers and generating follow-up questions in real time. The system chains speech-to-text, an LLM , a vector search layer built from the book’s content, and voice synthesis that delivers the questions aloud—functioning as a fully autonomous moderator.

First performed for a live audience at the Gdańsk Shakespeare Theatre, it was conceived and executed as a world-first public deployment of this kind of end-to-end, real-time interview system.

Radiofon

An audio drama based on a text by Tadeusz Peiper, created with Jacek Prościński for Słuchokrąg—a project by Audionomia. Reworking Peiper’s language for contemporary listening, it treats voice, rhythm, and sound design as equal narrative forces.

„O jeden oddech od rozpadu” (eng. One Breath from Collapse)

An essay on the photography of Anna Hauser, published in the monthly Odra.

Automaty — „nowa synagoga” (eng. New Synagogue)

Automaty — „nowa synagoga” (eng. New Synagogue)

An album of strictly improvised, guitar-based music—minimalist, spacious, and ambient in tone—recorded live in a resonant architectural setting (with one deliberate exception: the danceable anti-anthem “Niewesele”).

morze — „orka”

Six tracks, cohesive in energy and sound: tribal drums, trance-like bass marches, and rusted guitars, shifting fluidly between psychedelic space, stoner grit, metal riffs, shoegaze walls of sound, echoes of math and post-rock, and brief flashes of jazz.

„Maszyny i ludzie” (eng. Of Machines and Men)

A long-form essay on how modern interfaces and algorithms—from slot machines to social platforms—engineer attention, reduce uncertainty through patterning, and gradually shift agency from individuals to systems, with clear consequences for autonomy and democracy.

2011 — 2020


ALASVEGAS (morze) — music video

ALASVEGAS (morze) — music video

A found-footage video that constructs an oneiric, imagined America from fragments of Hollywood cinema: arrivals, neon promises, the “better world” of aspiration and reinvention. The montage courts the iconography of a modern promised land, yet keeps it unsettled—beneath the glamour runs a persistent undertow of unease. Formally, the piece advances my found-footage practice through overlay, collision and recontextualisation: images are stacked and reframed until their meanings multiply, generating associations that exceed any single source and cohere into a new, unstable narrative atmosphere.

morze — „zgrzyty”

morze — „zgrzyty”

Debut EP whose title evokes the friction of hard surfaces—screeches, grind, and inner abrasion. Built on a tank-like bass groove and spatial, rusted guitars, it channels a tribal rock pulse into a distinctive “noise-groove” signature that critics described as uncompromising, hard to classify, and intensely hypnotic.

drogą krętą i przez las (morze) — music video

drogą krętą i przez las (morze) — music video

A plotless horror in found footage: tightly music-synchronised flashes accumulate into sustained tension. It plays like a waking nightmare—subconscious fears surfacing in brief, half-recognised images—matching the track’s sense of a night journey down a winding road through dark woods. Formally, it is also a nod to demoscene audiovisual aesthetics: precision, cadence, and sensory intensity over narrative.

Uncertainty: On the Tail of the Dragon

An essay that proposes a more visceral language for climate disruption—shifting the framing from “degrees of warming” to the idea of an accumulating energy surplus inside Earth’s system, and tracing how that surplus cascades into intensified, destabilizing dynamics.

„Nowy rozkład” (eng. New Breakdown)

A poetic broadside published in Topos magazine’s Poetry Poster series, presenting new poems. The selection is dominated by thirteen-syllable sonnets, using a classical form to register a contemporary, recalibrated rhythm of speech and time.

7faz

A seven-part, site-specific recording project initiated by Karol Schwarz and realized with Tricity musicians connected to Nasiono Records: seven “phases” released as seven separate discs, each conceived as a distinct sonic environment. Typically structured as tuning (a calm, contemplative opening) and trip (a louder, more kinetic passage), the phases can be heard as a complete cycle or treated as modular source material for reuse and recomposition.

the sea at noon: photographing the same

the sea at noon: photographing the same

A year-long photographic study of the sea, shot from the same vantage point at noon, resulting in a series of 100 images. The work reveals how radically a seemingly fixed horizon can shift through light, weather, and atmosphere.

A minimal web version presents the series as an almost imperceptibly slow crossfade—an image that is continuously changing while appearing to remain the same.

„Demoscena. Maszyny, które mogły wszystko” (eng. Demoscene. Machines That Could Do Anything)

A long-form essay tracing how the demoscene emerged from the 8-bit underground—piracy, swapping, parties—and evolved into a rigorous, real-time art form where algorithms became rhythm, design became narrative, and hardware limits became a cultural arena; a story of craft, status, friendship, and the moment the internet and the PC’s open architecture dissolved the conditions that made that world possible.

„Liście” (Leaves), 2013

„Liście” (Leaves), 2013

A 4′33″ video piece—part sincere meditation, part parody of curatorial gravitas (see YouTube description). In slow motion, a dense canopy of leaves sways with monumental calm, turning near-chaos into a hypnotic field of shifting constellations that seem to hint at hidden structures beneath.

The work quietly undermines its own authority: image and sound come from separate recordings and run at different speeds, exposing perception as an active projection—pattern, meaning, even “nature” assembled in the viewer.

Towary Zastępcze — „Długa przerwa”

The band’s final album: a set of songs shaped by return and retrospection—written from the vantage point of early adulthood, when childhood has finally receded far enough to be seen clearly, with distance, as a different life belonging to someone you used to be.

Guide to Go Go (Ta Energia) — music video

Guide to Go Go (Ta Energia) — music video

A found-footage music video built from dozens of rock videoclips, cut into rapid micro-samples and reassembled into a dense collage. Mirroring the song’s parody, the edit amplifies and derails familiar rock’n’roll gestures—machismo, cliché spectacle, “raw” authenticity—until they read as self-caricature. The piece functions as an ironic auto-commentary on rock aesthetics and what the genre turns into when its own visual language hardens into formula.

We, The Web Kids

A manifesto-essay written during the anti-ACTA moment, articulating the worldview of a generation that grew up with the internet as an integral layer of reality. Released online under an open license and rapidly reposted across platforms, it was translated internationally and reached a readership in the millions.

Nasiono All Stars — „Europejski Poeta Wolności” (European Poet of Freedom 2010 Live Recording)

An archival live recording of the European Poet of Freedom Award gala. Nasiono All Stars—a one-off ensemble formed around the Nasiono Records circle—sets poems by the award’s shortlisted poets to music, moving fluidly across rock, dub and experimental textures.

2001 — 2010


Towary Zastępcze — „Dolne Miasto OST”

A concept album released as a hand-crafted “criminal case file” folder and expanded into an interactive online installation: a phone number led callers to a website featuring an interactive video experience. Framed as the soundtrack to a non-existent film, it poetically reconstructs a noir-like story that begins with a woman’s body found at dawn on the seashore.

Outland

A press reportage on video game addiction and its real-life fallout, shortlisted as a finalist for the Grand Press award (Press Reportage category, 2007).

Towary Zastępcze — „Ciche dni” (eng. Silent Days)

A deliberately melancholic set of poetic songs—part self-pastiche, part confession—that gained a strong following in Poland’s underground and, half-jokingly, was seen as pushing a certain lyric-song convention to (and perhaps beyond) its practical limits.

„Ojciec odchodzi” (eng. The Father Departs)

A fictionalized reportage-novella set in Poland in the days following Pope John Paul II’s death. Through a narrator arriving in Kraków on a literary residency, it traces a few intense days spent navigating the country’s collective grief, confusion, and emotional upheaval.